| List Price: | |
| Price: | $7.99 & eligible for FREE Super Saver Shipping on orders over $25. Details... |
| You Save: | $0.00(0.00%) |
| Binding: | Kindle Edition |
| EAN: | |
| Feature: | |
| Label: | Roc |
| Publisher: | Roc |
| Studio: | Roc |
| Tags: |
Editorial Reviews
Related Reviews
Historical Novel of Avalon & The Lady Of The Lake
Although not quite as good as MISTS OF AVALON
The story is set in the days of Roman occupation of Britain. Gaius, a young Roman officer and son of the local Roman commandant with his British wife has met and fallen in love with Eilan, the daughter of a powerful Druid family. Neither family approves of the match and forces the two apart. For the rest of their lives they met again and again only to be torn apart. Ultimately their unfulfilled love sets the stage for the events in MISTS OF AVALON.
The story is again told, at least in part, from a feminine point of view. As in MISTS there is a greek tragedy feel of unescapable doom. The characters are engaging and 'feel real', the plot is compeling making this a book that is hard to put down. It does not quite live up to MISTS due at least in part, to its more simplistic story line. Unlike MISTS' numerous story lines THE FOREST HOUSE focuses on Eilan and Gaius with Caillean, a priestess of the Forest House filling in gaps. This prequel is also significantly shorter. Still for any fan of MISTS OF AVALON this is a must read and would be enjoyable on its own as well.
A good book - historical interesting, but too long at times.
I have now read it twice, and will definitely be reading Mists of Avalon, since I feel as though I would like to "stay in touch" with the characters and their descendants. I am very interested to see how this book will tie into Bradley's retelling of the Arthurian legend for which I understand it is the precursor. I reccomend it highly!
I also recommend you start with _The Fall of Atlantis_, and then continue reading the books in chronological order, which places Diana Paxson's _Ancestors of Avalon_ next, followed by _Lady of Avalon_, _The Forest House_ and finally _The Mists of Avalon_.
Pleasant read; adds little of note to Arthurian legend
The Forest House, set primarily during the rule of Domitian (81-96 CE), is the tale of two people and two peoples. First, there is Gaius/Gawen, son of a high-ranking Roman official and his now-deceased Briton wife, and Eilan, daughter of an influential Druid, granddaughter of the Arch-Druid, and aspiring priestess. They represent the invading Romans and the native Britons of many tribes and lived in a world that is changing.
The Roman empire, overextended and increasingly dependent on its provinces for manpower, is on the decline. Briton, defeated but rebellious, is making its last stand. At the same time, the exotic Eastern religion of Christianity is taking followers from Rome's patriarchal and Britannia's matriarchal pagan beliefs. Like the Romans and Britons themselves, these religions coexist under an uneasy truce; as Joseph of Arimathea tells the priestess Caillean, "Surely then you know all the gods are one God," which she completes with, "and all the goddesses one Goddess."
While the Arch-Druid and the old High Priestess Lhiannon, together with Gaius's father Macellius, contrive to keep the peace, Eilan's father, Bendeigid, and her foster brother, Cynric, who is the result of Roman atrocities against the priestesses of Mona, want both to exact revenge on the Romans and to drive them off their island. Against this setting, the ambitious Gaius and the equally ambitious Eilan meet and fall in love.
Bradley sets up the history well, with touches that show how Britannia has slowly but inevitably succumbed to civilization. As one character notes, it has been decades since wolf- or bearskins have been available in the marketplace. Bradley establishes a good sense of time and place, although Caillean's story of her indifferent mother with too many children to care for seems to introduce modern sensibilities.
The characters and the plot seem more influenced by soap operas than by history or realism. Neither Gaius nor Eilan appears to be a well-developed, consistent character; in fact, the senior priestess Caillean is the only complex character whose beliefs are clear and whose behavior follows them. The Arch-Druid, Ardanos, wishes peaces at all costs, but the motivation for the strength of his conviction, which leads him to suggests killing his own descendants, is never clear.
The most puzzling aspect of The Forest House is the practice of the goddess religion and its role in keeping the peace. Neither Ardanos nor Bendeigid seem particularly faithful to it, and Caillean and many of the priestesses know that Ardanos changes the goddess's message delivered through the oracle of the High Priestess when he translates it for the common people. Bradley makes much of the Arch-Druid's manipulation of the oracle, whether delivered by Lhiannon or his granddaughter Eilan, but does not offer any detail about what he changes, why it angers Caillean and others, or why the goddess allows it. Ardanos is painted as manipulative and shady, but without details it is difficult to judge him or what he does. Only once does the goddess bypass him, and it is to state the obvious--that the world is changing, and that the Roman and British people will become one whether they wish it or not.
As in The Mists of Avalon, Bradley refers obliquely to Atlantis. She also mentions the idea that Caillean, Eilan, and Gaius have lived before and will live again, but the significance is never revealed, unless it is meant to explain Arthur as the once and future king. Without a story of Arthur's return, however, this seems an insignificant plot point that is given more significance than it seems to warrant.
At some point, the plot comes to a halt and struggles for some time. Events happen that are necessary to expedite the conclusion, but they take a long time to unfold and are not interesting on their own. Eilan talks about the importance of her "work" at the Forest House, which seems to be primarily to speak at the festivals for the goddess, who is reinterpreted anyway. Gaius marries, has children, travels, and meets influential people; this part of the story seems especially protracted and tedious. As they grow older, both Eilan and Gaius become more self-righteous and less likable so that, by the end, I found it difficult to care about the fate of either one. It is the Irish Caillean, who is sent to establish a new home at Avalon, who remains interesting and true to herself.
The Forest House is a pleasurable but disappointing novel that offers few surprises and, unlike The Mists of Avalon, adds little of note or interest to the Arthurian legend.
3rd book in the Mists series doesn't dissapoint
As with all the books in this series, I found this one to be very spiritual. It gives a sense of connectedness with the past and Pagan spiritualness.
This story takes place in 1st century AD, when the priestesses and Druids are mostly practicing to the north of Avalon, and then covers the priestesses and Druids moving to Avalon to establish there. This lineage will go through to "The Mists of Avalon."
The situations and characters in this book have their stories continued in the first part of the book "Lady of Avalon."
The story is about Elian, and how she falls in love with a Roman soldier, torn between her love for him and her duties as a chosen priestess of the Forest House, a house where vestal virgins worship the goddess. The setting is when the Romans occupied what is now England, and ruled with an iron fist all of the native peoples, including Elian's family of Druids. The Druids have a tolerate-hate relationship with the Romans, mostly hate.
There are many fascinating characters in this book. The research that went into both this and Mists is staggering. To me it is amazing that Marion Zimmer Bradley had time to write both of these books in her lifetime.
I also recommend reading one of Zimmer Bradley's early novels, THE FALL OF ATLANTIS, which was recently put back into print by Baen Books. THE FOREST HOUSE alludes to Atlantean culture as an ancient source for Druidism, and if you've read THE FALL OF ATLANTIS, you'll pick up on some of that. It's cool to see how Zimmer Bradley's books fit together, even if they were written thirty years apart.
Well...not as good as I was expecting
Forest House -excellent in its own right
While the Forest House was mystical and transcendent, I was rather frustrated by the prissiness of Vernemeton. However, I enjoyed it immensely, and found that MZB knit Roman and Celtic narratives seamlessly. I especially enjoyed the festivals such as Samhain and Beltane.
In MZB sensory details I identified Vernemeton as the mystical hiking trail in Calfornia which transports one to another time. With this novel, it helps to have pictures in your mind of what MZB is talking about.
Though Eilan's death didn't touch me as much as Viviane's did, it was still haunting. I would recommend Forest House both as a stepping-stone and a book unto itself.
A story rich in magic, but no "Mists of Avalon"
A great Addition to Mists of Avalon
An outstanding tale of strong human spirits
Though the story sometimes strays too much into Female Empowerment Land (thanks to chapters devoted to menstrual blood rites and spell casting), Forest House presents lots of cliffhangers and surprises. MUCH better than its sequel, LADY OF AVALON.
"The Forest House" is a really nicely written fantasy/romance sort of novel. It's got this thick, intriguing plot. The plot is pretty complex as are some of the characters (some remain woefully flat throughout the book). I found that while it's not a literary masterpiece, it's certainly an enjoyable read.
What I liked least of all in "The Forest House" was the ending. While dramatic and impressive, I felt that one of the character's behavior was pretty... inappropriate and weird. On the whole, though, the story is cool. It's this big tale of powerful women, goddesses, rituals, and British/Roman politics. There are some cool bits of historical fiction, some neat fantastical parts, but mostly a romance, ethereal sort of tale. It's well-written and descriptive, full of clear images and really creates a good mood.
In the end, it's an enjoyable read. There are flaws in the book, for example among the characters, but despite that and things like the rambling length, it's a nice read. I can't compare it to "The Mists of Avalon", which I haven't read, but as a standalone it's pretty good.
Recommended to fantasy/romance fans who like thick books to disappear in.
The only satisfaction I found in the novel was the story line of Caillean and the introduction of Avalon. I own The Lady of Avalon and The Priestess of Avalon, so I'm not ready to bid farewell to the works of Marion Zimmer Bradley based on this one book. I wonder, however, if the next segment in the story line could have summized this entire "history" in a single chapter and moved on.
Marion Zimmer Bradley is Brilliant!!
Yet again tormentously amazing
the story of girl chosen to be the priestess in roman britain who falls in love with a roman soldier and it all flows from there. but if you are looking for a passionate romance novel look elsewhere, because while there is love there is more suffering and deceit and the couple are only in a few chapters together.
while i loved this book for the beautiful story it is a little akward and definetly does not measure up to mists. but if you plan to read mists or the priestess of avalon which is the next book in this remarkable series you must read this to follow these amazing characters.
This was one of the most absorbing books I've ever read!
Probably the best one of the series.
In the time of The Forest House the Druids still hold a great deal of power and Rome is still fighting to prove their sovereignty over their unwilling British subjects. Gaius Macellius is the son of a Roman father and a British mother. Raised as a Roman, he still retains some of the knowledge and language of his mother's culture, and strongly resembles his mother's people. When he is hurt and rescued by native Britons, he is mistakenly identified as a Briton himself. Before he is able to clarify the situation, he realizes he is in the hands of highly placed Druids, enemies to the Romans. One of his caretakers is a young girl, Eilan, daughter of an important Druid leader and granddaughter to the Arch Druid. Before Eilan met Gaius, she dared to hope she might become a priestess of the Goddess. But, after these two young people meet, their hopes for the future change considerably. Despite the odds, each believes they are meant to be together. And it seems perhaps they are, but not in the way they hoped.
On its simplest level, this is a story of two young people, deeply in love but tragically separated by fate and political differences. As historical fiction, Bradley describes a turbulent period in Britain's history as the strength of the Druids declines and the Romans begin to assert their ultimate dominion over the native tribes. As with most of Bradley's work, this novel also has a mystical level, describing the ongoing relationship of the Goddess and her people. Bradley's characters are believable and the plot moves along at a steady pace. She shows how easily fate and circumstance can conspire to close off the alternate paths a person's life might take until only one choice is left. I thought this book was very well done, probably the best one of the series.
1. It was poorly written. SO many sentences did not make sense. I would have to go back and read and reread. It seems like she was trying to make it more wordy than it needed to be.
2. The characters were not developed. Except for Caillean. So I ended up with basically no attachment to the main characters. Was it really necessary to spend a few chapters on Gaius' career when we don't know jack about most other things in the book?
3. It seems like chapters are missing. This book should have been longer or had a bunch of half-finished plots left out. Like the ending. It seems like the ending was on fast forward. You might as well read Cliff Notes. I felt the same way about the end of Mists, too, but this was worse.
4. Can't somone just write a book that is "pagan friendly" yet not all about rape and torture and sacrifice? All these books are doing is making me hate the Romans and Christians of the time and leaving me with a sense of despair. I just want one book where they weren't all shown as heathen sacrificers and the Christians show them how to be civilized, "good people".
Women can be just as brutal as men
Do yourself a favor and don't get the audio version
Now to the bad part
The audio edition: Only problem is the narator. She just goes on and on in a monotone no vocie inflection(I don't even think she stopped to breath!).
Overall-Read the book, don't get it on tape
Create your own review





Eilan, the daughter of a Druidic warrior and granddaughter of Ardanos, Arch-Druid of Britannia, is gifted with the "sight" and has longed to serve the Goddess as a healer-priestess in the Forest House. She meets and falls in love with Gauis, a half Roman-half British youth, and son of the Roman Prefect Macellius Severus, second-in-command in Britainnia. They want to marry but are forbidden. Heartbroken, Eilan fulfills her original wish and dedicates herself to the Lady. Ms. Bradley blends a fascinating story with accurate research to give the reader a good picture of early Britain and the various political, cultural and religious factions, both local and Roman, which vied for power there.
Bradley's narrative is clear and her plot is believable, as are her characters. I prefer "The Mists of Avalon," not just because of the subject matter, but because the plot and characters are more complex. However, this is a solid novel with a sound plot and worth the read.
JANA